Spheres, an Allusion to Empathy: A Semiotic Examination of the Sphere-Body Interaction.
This paper examines the concept of Empathy through a semiotic analysis of spheres. Observing the visual evolution of halo motifs in Christian Art and its gradual decline with the growth of naturalism in the 15th Century, sets a focus and starting point in investigating the sphere in covert or overt contact with the body. Contemporary ‘Digital Fine Art’ seems to resuscitate this sphere-body connection, particularly alongside the development of visual-simulation software. At its current capacity, the ability to simulate in four dimensions, with the use of 360 and Virtual-Reality practices, reveals an enhanced understanding of applying perspective into creative practice. In order to clarify this reformation, I will examine two-dimensional contemporary works that encompass sphere-body interaction(s), on and off screen. Terms such as material and mark-making shall be examined alongside this investigation, introducing a way of alluding to Empathy through visual language; a placeholder in representing the ways in which we connect to the Innenwelt and Umwelt. This paper intends to demonstrate the seemingly fragmented definition(s) of Empathy, and a proposed method of visually referencing it for further communication, study and decryption.