Miles Johnston


  • Sensationalizes the psychosomatic 

  • Visualizations of mind-body interaction and neurogenesis  

  • Tranquil states - still life - freezes movement. 

  • Fluidity, morphology.

  • Tackles subjects such as melancholy, desire, fear and isolation. 

  • Soft aesthetics and choice of perspective generates an intimate proximity. 

  • Sympathy.

  • The visual language carries the subject as neither a protagonist nor antagonist. Rather, the subject seems to exist beyond the scope of narrative - a cognitive portrait perhaps?

  • Reconnecting to the sphere through prayer

A Nightmare

A Nightmare (2018)

Acrylic & print on cotton & cellulose

11 x 14 Inches

I was standing in the midst of green hills (much like the iconic wallpaper of Windows XP). My closest friends and family surrounded me in a perfect circle - they seemed different, as if they were void of themselves. One by one they slapped me, the ground beneath me eventually began to crumble. I fell downwards into a dilapidated room - rusty metal, holes in walls, and two feet of blood that flooded the area. A man walks out of a doorway with a white towel, dragging it along the floor - soaking up the blood until it reached his palms. He didn’t notice me, for a while - when he did, he looked straight into my eyes and I woke up.